Our
road is a dead-end street which passes by a small college and an area set aside
for town recreation fields, on its way separating our house on the eastern side
from the Cournoyer farm that borders on the west.
In the
mornings when I am returning from some exercise, I like to walk the last
hundred yards of the road to our driveway with my eyes skyward. This is
particularly the case on the winter pre-dawn hours, when the skies are clear
and the approaching dawn to the east is just beginning to occur.
The
road bends slightly to the north at this point, and looking upward I easily
spot Polaris at roughly 40 degrees altitude from the horizon. Grove Street forms
a tunnel of trees here, with large spruces that line the west side and a
mixture of oaks, maples and cherry on the east.
As the
dawn nears, the sky on such mornings turns nearly an iridescent blue, what we
call a Maxfield Parrish sky. Parrish painted dawns and twilights using layers
of paint and varnish to create a unique effect. On certain winter mornings,
Mother Nature does the same, and I admire the nearly black tree outlines on
either side of the tunnel, with the Maxfield Parrish dawn and Polaris to bring
me home.
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